Order today and it should ship in August for your vacation. You will need a few key accessories to make it happen, but the benefit is well worth it. The absence of an ND filter on the RX100 VI won’t impact daytime stills shooters too much, especially given the maximum aperture isn’t as big as before and you still have an electronic shutter option up to 1/32000 to play with. My latest tutorial on the Sony RX100 VII is out for those interested This video tutorial is particularly good for those new to the Sony camera systems and “real” cameras in general… Thanks for watching and please be sure to ask questions below if you have them! With RAW disabled, you can choose from Toy Camera (with five different filters), Pop Colour, Posterisation (in Colour or Black and White), Retro, Soft High Key, Partial Colour (with the choice of red, green, blue and yellow), High Contrast Mono, Soft focus (with the choice of Low, Mid or High), HDR Painting (with the choice of Low, Mid or High, or as I like to call them, awful, horrendous or appalling), Rich Tone Mono, Miniature (with the stripe of focus variable between Auto, Top, Middle Horizontal, Bottom, Right, Middle Vertical or Left), Watercolour, or Illustration (with the choice of Low, Mid or High). Bluetooth and NFC make the initial connection a breeze, while Bluetooth can additionally retrieve location information from your phone and embed it automatically in your images. I used it for most of my outdoor shooting with the RX100 VI and it worked a treat, successfully embedding co-ordinates as I shot and never requiring further interaction. The RX100 VI introduces broad zoom range with beautiful image quality to a high-performance pocket-sized camera. First you’ll need to pair the camera and phone, by enabling Bluetooth on the former and searching for it on the latter. At this point, you may be wondering if Sony has scored an own-goal with the new lens. As an Amazon Associate I earn from qualifying purchases. The slower aperture at 24mm and loss of the ND filter make the RX100 VI less desirable for vlogging than its predecessor. Within the Auto Mode, Intelligent Auto and Superior Auto modes are available for selection. For example, when filming with the RX100 VI on an average overcast day at the lowest sensitivity and maximum f2.8 aperture, I needed a shutter speed of 1/250 to balance the exposure, when what I really needed for good-looking motion was a shutter speed of, say, 1/50 for 25p video or 1/60 for 30p video. It also works well with the extended focal range, confidently refocusing on moving subjects at 200mm if required. A mode dial sits on the top of the camera, which you can reach with your thumb for quickly switching between the various modes on offer. I also found some of my panoramas included a small blank grey area on the far side, but this was easy to crop off. The RX100 VI can be found for around $1100, whereas the mark VII model starts from $1200. Remember that’s giving you 19 full resolution pictures to choose from every second, with around 16 or 17 of them being perfectly sharp in this particular test. Like the higher-end Sony mirrorless cameras, you can also tweak the focal-length-aware option, encouraging the Mark VI to deploy slower or faster shutter speeds than the usual one-over-focal length rule suggests. With regards to the 4K video, what Sony did here was somewhat clever. Use the RX100 VI's Wide focus area in Single AF mode and you'll have a very competent point-and-shoot camera, with the camera making all the focusing decisions for you. Sure the system may not be as responsive as the best touch systems out there, and Sony continues to inexplicably limit what you can do by touch in the menus and playback, but I’m just happy there’s now an easier way to move the AF area at all. As noted earlier, the longer zoom range prevented Sony from including the built-in ND filter of earlier models, making the Mark VI less practical for filming video in daylight with motion-friendly shutter speeds. The Sony DSC-RX100 VI measures 4 x 2.3 x 1.7 inches, making it about the same size as the previous RX100 V but just a tad thicker. Photographer can further judge the environment circumstances and choose one of these pre-defined scene modes. References to the menu are tab/page for the RX100 VI. Like the Mark V before it, the results were varied. Now, this little camera is absolutely awesome, but one of the reasons that you would spend this kind of money, is so that you get the pro controls that you deserve, and you’re not going to get those unless you shoot in manual mode. In the mode dial, there are 10 modes for selection. The Sony RX100 VI has built-in Wifi with NFC to aid negotiation with compatible devices, and in a first for the RX100 series, now also includes Bluetooth. Full sized 20 Megapixel JPEGs only take a few seconds to copy over, and like most Wifi camera apps, you can’t transfer RAW files. Sadly there’s still no option to connect an external microphone and the switch to a longer zoom has meant sacrificing the f1.8-2.8 aperture and built-in ND filter of its predecessor. Jpeg images will also have in-camera noise reduction applied, something you might or might not want to take care of yourself later, depending on y… The NFC then instructs the camera and phone to connect (automatically taking care of network names and passwords), before then transferring the image and finally disconnecting. Sony RX100 VI – Viewfinder and screen One area where the RX100 VI has a real edge over its biggest rival is when it comes to composing your images. Of the many features I like, I have been very pleased with the "Clear Image Zoom" capability of … The D-R menu is where you’ll find the Dynamic Range Optimiser (DRO) and in-camera HDR options, the former available in Auto or set Levels of one to five, and the latter available as Auto or in increments of one to six EV. You may also enjoy my blog about taking the RX100 VI across Europe in my Sony RX100 VI travel photography article! 24-200mm f/2.8-4.5 equiv. The Sony RX100 Mark VII is the latest iteration of Sony's diminutive RX 100 series cameras. Above: Download the original file (Registered members of Vimeo only). Cam2/9 > Function Menu Set . For cyclists riding without helmets – careful there! But it worked fine for the RX100 VI images I tagged, and here’s one as an example from Gdansk in Poland. The Sony Cyber-shot DSC-RX100 VII point-and-shoot is a modest update to the RX100 VI, offering better autofocus and video stabilization for a bit more money. Sony RX100 VI Settings Tom Niemann, ePaperPress.com . Next check out my sample images, quality results or head to my verdict! Hello, Since I started flying paramotor a few years ago I have been very keen to take photos of my experiences for sharing and memories. Brilliant! The Sony Cyber-shot DSC-RX100 VI ($1,199.99) is essentially the RX10, but smaller.It covers the same zoom range as Sony's first 1-inch bridge … In this respect it’s the same as most of the competition, but in a critical upgrade over earlier Sony cameras including the RX100 V, you no longer need to sign into PlayMemories and update the remote control app within the camera itself to unlock all of the manual control. This would have been easy to achieve on the earlier Mark V by simply enabling the ND filter from a menu, but on the Mark VI you’d need to either fit a third party filter solution or wait until the conditions became dimmer – or of course put up with the choppy footage from a shutter that’s too fast for video. I have demonstrations of the autofocus for movies and vlogging in my first-looks video review at the top of this page, but for now wanted to concentrate on the camera’s ability to track and capture action for stills. Note the Lumix TZ100 / ZS100 and TZ200 / ZS200 also feature electronic viewfinders, but keep them permanently visible in the upper left corner; this is obviously even quicker to access but makes their bodies taller than the Sony. And I’m delighted to report the optical quality is surprisingly good for the camera’s size, especially at the longer-end of the range where many rivals begin to suffer from softness and reduced contrast. The Sony Cyber-shot DSC-RX100 VII point-and-shoot is a modest update to the RX100 VI, offering better autofocus and video stabilization for a bit more money. Above: As before the 3in screen can angle up by 180 degrees to face the subject for selifes or vlogging; again a lower strip of the screen remains blocked by the top of the body, preventing you from seeing the settings, but the compositional area is fully visible. Set the mode dial to the desired function. Sony RX100 VI – Performance. The following diagram describes the available modes in the mode dial of Sony RX100 VI. My latest tutorial on the Sony RX100 VII is out for those interested This video tutorial is particularly good for those new to the Sony camera systems and “real” cameras in general… Thanks for watching and please be sure to ask questions below if you have them! Sony RX100 VI Review Sony RX100 VI Review Summary Exceptionally Prescribed award Sony RX100 VI is a top of the line smaller camera went for geniuses, fans, and vloggers. I’ll start with my first-looks video review which covers and demonstrates all the headline features and may in fact be everything you need to know before heading to my quality and samples pages or my final verdict. As before, the phase-detect AF system works alongside a contrast-based system for speed, accuracy and low light capabilities, although interestingly Sony’s resisted upgrading it from the previous 25-area system of the Mark V to the finer areas of the latest Alpha bodies. As stated above, the Sony Cyber-shot RX100 V was released in 2016. Here’s a rundown of what it does and how it works. You can apply a selection of Creative Styles, which also provide manual tweaking of contrast, saturation and sharpness. Sample Images Intro Specs Performance Compared User's Guide Recommendations Sony RX100 Mark VII (20 MP one inch sensor, 9-72mm f/2.8-4.5 lens (24-200mm equivalent), 10.7 oz./302g with battery and card, $1,198). Overall, the Sony RX100's form factor is excellent, with a tight build, aluminum body, and high-quality, responsive buttons and dials. ISO Auto Within the Auto Mode, Intelligent Auto and Superior Auto modes are available for selection. While it may not be as suitable for vlogging as the Mark V, it remains far preferable for day-to-day shooting thanks to its much longer range. The icing on the cake is Bluetooth which – once running – delivers a seamless approach to location-tagging. I set the burst speed to High and the quality to fine JPEG, then experimented with different AF area configurations. You’ll also notice it in any low light situation where the minimum shutter speed to avoid camera shake or motion blur has been reached. To be fair the previous models weren’t great in that regard, but if you’re shooting between 24 and 70mm, the Mark VI won’t be able to deliver as much blurring in the background. Like many compact cameras these days, the Sony RX100 VII has a panorama mode. In the mode dial, there are 10 modes for selection. 20.2 MP 1.0-type Exmor® CMOS sensor. Sony’s engineers tell me they’re hard to implement on longer zoom ranges which is why the facility was also dropped when the RX10 extended its range on the Mark III and IV versions. Under the Location Information Linkage option you’ll need to set the camera that will receive the GPS data and there on the list you should see the RX100 VI which you previously paired. Weight: 301g 10. It also inherits the popup XGA OLED viewfinder of the Mark V, although this now features the single-action mechanism of the RX1r II allowing you to pop it up or push it back down again in a single motion. Cam2/9 > Function Menu Set . As it stands, vloggers will have to continue to use an external sound recorder, like a Zoom H2n or a Rode SmartLav+ for smartphones. Previously shifting the AF area was a convoluted process with multiple button presses, but now it involves nothing more than a simple tap. of the LCD Display of the camera. The Picture Effects quickly produce special looks that would otherwise require you to spend a lot of time in the digital darkroom. Sony RX100 VI Settings Tom Niemann, ePaperPress.com . Before moving on, it’s important to compare the RX100 VI lens specifications against the two rivals it’s gunning-for: the Lumix TZ100 / ZS100 and Lumix TZ200 / ZS200. If there’s no room for a physical socket, I wonder if it’s possible for Sony to fit one on the optional grip accessory or perhaps exploit Bluetooth for a wireless solution? If so, set to RAW or RAW+jpeg. With all the processing power it has on board, you’d expect the RX100 VI to be an exceptionally snappy performer, and in most respects it delivers. zoom lens 3. Also you can select … So without a single button press, you’ll find yourself ready to remote-control the camera with your phone. The screen also folds down, but now by as much as 90 degrees, making it easier to frame when shooting straight down, such as for food photography. Since then, a newer model has been released – the Sony Cyber-shot RX100 VI.We have compared these two models so you can understand if it is worthwhile to pay extra for the newer model. Above: Sony RX100 VI HDR: disabled (left), 3EV enabled (right). If you have RAW or RAW+JPEG selected, the HDR options are greyed-out -thanks Sony. The full sensitivity range is available for movies up to 12800 ISO and there’s an Auto ISO option that works in any of the exposure modes including Manual; it’s also possible to apply exposure compensation when shooting in Manual with Auto ISO. Still, you can slip it into … These cameras are the preferred choice of vloggers and having a mic input of some description would allow a big upgrade in sound quality. Once you’re remote-controlling your camera, you’ll be able to see what it sees, adjust the shutter speed and aperture (depending on which exposure mode the camera’s in), tweak the exposure compensation, the sensitivity, white balance and drive mode. The following diagram describes the available modes in the mode dial of Sony RX100 VI. Whichever approach you take, you can choose to copy images in their original 20 Megapixel size, or a down-scaled 2 Megapixel or VGA version. As before you can set the drive mode for bracketing to Single or Continuous, and like the Mark V there’s no need to hold the shutter release down to capture the entire burst. If you have a different version the tab should be correct but the page might be different. The RX100 VI also gains Bluetooth over its predecessor, allowing it to inherit the seamless location-embedding capabilities of recent Alpha bodies. The RX100 VI’s mode dial offers the usual PASM modes, Auto, SCN, Sweep Panorama, Movie, Memory Recall and HFR, for the High Frame Rate modes. There’s the High Frame Rate HFR modes introduced on the Mark IV and enhanced on the V which can capture a few seconds of action at 240, 480 or 960fps to slow footage by up to 40 times; the quality at 960fps is low resolution and noisy, but the 480 is much more usable and the 240fps actually comes close to 1080 footage. References to the menu are tab/page for the RX100 VI. 00 The following are settings to use for different scenarios. The following are settings to use for different scenarios. Some styles of photography where the subject doesn’t move can accommodate slower shutters, but others like video, sports or street require a minimum shutter speed and its there you’ll find the Mark VI inevitably having to deploy higher ISOs than its predecessors in low light. It also thankfully works for pulling-focus during movies. It equally illustrates a key difference between them and Canon’s PowerShots which continue to not offer the facility. Auto Exposure Bracketing is available on the RX100 VI for three, five or an impressive nine frames at 0.3, 0.7, 1EV increments, or for three or five frames in 2 or 3EV increments. But unfortunately Sony also used the apps to deploy timelapse, interval and bulb timer functionality, none of which have been integrated into the RX100 VI’s menus yet. As before, there’s also a programmable smooth ring around the lens. Next I’ll cover remote control which again is really simple for owners of phones with NFC. Had Sony equipped the Mark VI with some kind of external microphone solution, then the scales could have balanced or even tipped in its direction, but with no upgrade in this respect I’d steer vloggers towards the previous RX100 V instead; see my Sony RX100 V review for more details. I’ll start with transferring images from the RX100 VI to a smartphone and for my tests I used my Samsung Galaxy S7, onto which I’d previously installed Sony’s free PlayMemories app. 3-inch rear touchscreen LCD 6. If you have an NFC-equipped device, such as my GS7, the entire process is incredibly simple: just choose the image you want to send in playback on the camera, then hold your phone against the side of the camera for a few seconds. of the selected Mode Dial and scene mode will be shown in the left upper corner So far so similar to the Mark V, but in a huge upgrade, you can now adjust the single AF area positions by touch using the touchscreen. A RAW file saves all information the Sony RX100 VII pixels register during shooting and will make for better quality images if you want to edit in something like Adobe Lightroom. Once you begin to zoom the TZ100 / ZS100 into longer focal lengths, it becomes almost a stop slower than the RX100 VI, while the TZ200 / ZS200 is slower throughout its entire range. Here’s two examples each at the wide and long end of the range to illustrate what’s possible. As before you can also set the bracket order, which is handy when organising bursts from, say, darkest to brightest. I'd get mine at Adorama or at B&H. In this beginner oriented video tutorial I will go over Slow Motion Video, or High Frame Rate Mode (HFR) as Sony calls it, using the Sony RX100 VI.I will also show some examples of what the camera can do in the real world using the HFR feature at various frame rates. While the RX100 VI finally gains a touchscreen, it still lacks any kind of external microphone input. If you’re shooting human subjects, you can make life easy for yourself by deploying the effective face and eye detection, the latter available in single and continuous autofocus modes, and now operating up to twice as fast as the Mark V. In use this felt a lot like the higher-end Alpha bodies, which isn’t surprising since many of the AF algorithms are shared, including High Density Tracking. In terms of wireless, the RX100 VI offers Wifi with NFC and now also Bluetooth allowing easier connections and seamless location tagging via your smartphone; it works really well in practice, although now Sony’s removed the downloadable apps in the camera itself, there’s no interval timer or timelapse options. But its absence will make long exposure photography of buildings and landscapes harder, forcing you to wait for much dimmer conditions before you can deploy long shutter speeds. The SCN mode on the dial lets you choose from 13 presets, including the usual suspects like Portrait, Landscape and Sunset, but also including the composite Handheld Twilight and Anti Motion Blur modes which take a burst and combine them to reduce shake and noise. Sony's tried-and-trusted Sweep Panorama is still a joy to use. Better still, the lens can exploit the phase-detect autofocus system embedded in the sensor to deliver pretty confident performance when shooting action as I’ll illustrate in the next section. The benefits for video were already apparent on the Mark V, especially for vlogging or product reviews where you could simply forget about the autofocus, but now on the Mark VI they’re also exploited when shooting action with the longer lens. Similarly your phone will automatically reconnect when it’s been powered off and on again. In my full review find out how well the RX100 VI performs in a variety of situations and whether it’s become the ultimate pocket travel camera. I found the Slow and Slower options generally selected shutter speeds one or two stops slower than the Standard setting, while Fast and Faster selected shutter speeds one or two stops faster. To be fair, the depth-of-field at 200mm f4.5 isn’t massively shallow, so the new lens doesn’t pose too much of a challenge to the AF system, but at least it can be used with a high degree of success to record day-to-day action like active kids, pets or basic sports. A jpeg is a compressed imagewhich takes up less space on your SD card but is less suited for editing afterward. Sensor: 20.1 MP 1-inch type stacked CMOS image sensor 2. Allows you to shoot with the exposure adjusted automatically (both the shutter speed and the aperture value (F value)). Most obviously there’s a reduction in the maximum aperture from the f1.8-2.8 of the Marks III, IV and V, to f2.8-4.5 here on the Mark VI. I really hope Sony can eventually provide these features with a firmware update, but I won’t dwell on it as the rest of the wireless experience is so good. Like the previous models, there’s a wealth of focus area options including Wide, Zone, Center, Flexible Spot and Expand Flexible Spot; Lock-on AF for tracking is also available with all but Expand Flexible Spot. For example, this one is under Camera #2, page 9. Even if you don’t buy the RX100 VI, it’s worth checking out. One SD card slot 9. For example, this one is under Camera #2, page 9. If you don’t have a phone with NFC, you can again connect via Bluetooth, a QR code, or by manually connecting your phone to its access point. The Sony RX-100 Mk VI is the evolution of 2016's RX100 Mark V, adding a longer zoom lens while keeping the same tiny size and weight as the old model!The only gotcha is that this new lens is 1⅓ stops slower than the more limited lenses of the older versions. 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